Sunday, January 15, 2017
Writers Resist - Defiance, Remembrance and Inspiration in Venice
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Wednesday, November 04, 2015
Courtney Love and the Kansas City Choir Boy Take Culver City
This was my first time to this theater and it was arranged for this show with seats on three sides of the action. The staging area for the musical was quite small, and it felt very intimate. This is not the kind of show I normally like, as it has very little narrative, but I found myself really enjoying it.
Todd Almond wrote and stars in the musical, as the unnamed Kansas City Choir Boy, who recounts his relationship with Athena (Courtney Love) in flashbacks after seeing a TV news report that she was murdered in a park. Girl meets boy in Kansas City, girl dreams of being an actress, boy writes music, girl leaves to pursue dreams in New York, girl meets a tragic end, boy struggles to go on and seeks her inspiration from beyond the grave. That's about as much of the storyline as I could gather. It's never really explained why he doesn't want to go to New York with her, since he has artistic aspirations, too.
Besides the two principals, there's a group of women known as the sirens who form a Greek chorus. The choreography for the sirens kept things interesting, as did the creative lighting. At times the sound mix was a bit muddled, so it was hard to make out what the actors were singing. A string quartet plays at some points and provides refreshing interludes. The songs were appealing, but I couldn't hum any of them a day after seeing it.
Courtney is mesmerizing with her alabaster skin and commanding presence, however she doesn't have much to do and her character isn't really developed. She basically functions as a muse. At one point, she appears in a black dress that is just spectacular. It's hard to keep your eyes off her. I have been glad to see her in Empire and I hope she continues to focus more on acting. Her singing voice is not for everyone but since the material here is rock-oriented, it works. It would be even better if the script was developed further. It's more of a sketch than a fleshed-out story.
There's palpable chemistry between Almond and Love, and anyone who has loved and lost will find something relatable in the show. Almond based it on his own experience growing up in the midwest and watching TV news and seeing the face of an actress he had been working with who had been murdered in a park.
After the show, there was a talkback, and most of the audience admitted they had no idea what they had witnessed or what the story was about. One woman mentioned she had not been familiar with the music of Cyndi Lauper before seeing the show - clearly, she had her singers with the initials CL confused! Most enjoyed the show for its creativity in lighting, staging, and music. The musical is only an hour, so I think it can get away with its vagueness without wearing out its welcome.
Although I bought tickets through Goldstar Events, we ended up in the front row, and I felt a bit starstruck to be so close to Courtney. A girl next to me could hardly sit in her seat due to her excitement at almost being able to touch the rock icon. I realized the last time I was this close to Courtney was way back in 1994, when I saw Hole on their Live Through This tour at a small club in St Louis. 21 years later, she is still mesmerizing, raw, and a very real presence in an ethereal musical.
Kansas City Choir Boy official website
Read More......
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Sunday, October 31, 2010
Rocky Horror 35th Anniversary Show


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Friday, January 25, 2008
Steve Martin: a Conversation with Carol Burnett
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Monday, October 29, 2007
Westside LA Gets a Cool New Haunted House!
Coolia and I decided to visit our local haunted house last night, an abandoned Blockbuster Video locale, where Westwood, Overland and the 405 converge. Now I used to work at Blockbuster so I know just how scary the prospect of a haunted Blockbuster is...our sufferings from a cheapskate employer and ever disappearing employee discounts ("What do you mean video rentals are now full price for all employees? I don't want discounted jiffy pop!") This Blockbuster in question was particularly horrifying when it was open - a pitiful selection and zombie-like service. Good riddance to bad rubbish I said when the shop closed down months ago. I never dreamed ghosts and goulies would start squatting at the place.
But the ticket-takers seemed normal enough and you could adjust your own scare-level, which was very decent of them. We picked Code Red which was just shy of the ultimate scare Bloody Code Red or Bloody F-ing Code Red. I can't remember.
3101 Overland Ave.
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Monday, July 02, 2007
A Trip to Kwik E Mart
As I drove back from seeing Sicko tonight, I noticed searchlights. Hmm, these seem to be near my house, I thought, as I drove closer. Suddenly, I saw the source - my 7-11 had been transformed into a Kwik-E-Mart!
There was a line to get in and I had to search a while to find street parking. They had painted the building and changed the signage. The windows displayed ads for Krusty-Os and Buzz Cola. It was quite a scene, with tons of folks cruising by to gawk.
It took about 10 minutes to get inside, and once inside I checked out the merchandise and amusing signage. The slurpee machine now sold squishees in flavors such as Bubble Yum (I refrained). I picked up some Krusty-Os and Buzz Cola. They were also selling ice chests, t-shirts, toys, etc. No Duff beer, but, hey, you can't have everything.
The usually beleaguered Indian 7-11 proprietors had new uniforms and didn't seem to mind being addressed as Apu. Why should they? They were raking in the bucks!
If you're in LA, go check it out at the corner of Venice and Sepulveda. There are 12 stores throughout the US and Canada that have been transformed.
Read more about it in Business Week.
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Sunday, December 24, 2006
Carrie Fisher Trashes Her Parents To Their Faces
I’m a big fan of Carrie Fisher. I admire her frankness and wit. In her books, she’s shown an uncanny ability to wring
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Tuesday, November 15, 2005
From Sitcom Dad to Big Daddy
I caught a preview performance of Tennessee Williams' Cat on a Hot Tin Roof at the Geffen Playhouse. Running from Nov. 16 - Dec 18, this play is the debut performance for the newly remodeled Geffen. While I can't compare it to the old theater since I never visited, I can say the new theater is quite plush with comfortable seats and plenty of leg room. The stage is large, but the theater feels intimate, and I don't think there's a bad seat in the house. I had not seen this play or the movie version before. While a tad overly long and talky, it's a good show and the actors handle the material capably. Brenda Fricker doesn't have much to do as Big Mama, but John Goodman fills the suit of Big Daddy quite well. I find it hard to get the image of him as Roseanne's hubby out of my head, so I didn't think he mustered quite enough menace to really do the role justice. He got the blustering and the accent right, but his sitcom presence didn't quite translate to the stage. I don't think this is really John's fault - he's a great actor. It's just the curse of being in people's living rooms everyday for perpetuity thanks to reruns. Jeremy Davidson did a good job as the closeted Brick and Jennifer Mudge was suitably smoldering and smothering as his wife Maggie. I tend to prefer realism, and although Tennessee gets the dysfunctional family thing down perfectly, he also makes his characters speak in metaphors and that takes me out of the moment. I mean, when was the last time someone told you, "I feel all the time like a cat on a hot tin roof." It's excellent writing, just not really my cup of sweetened ice tea.
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